pdf

INSPIRASI VISUAL PERALATAN JAHIT SEBAGAI PENGEMBANGAN MOTIF BARU ‘’UNSUR PRODI BUSANA’’ MELALUI BATIK CAP

  • Dian Retnasari UNY
Abstract Views: 15 times
pdf Downloads: 11 times
Keywords: Stamped batik, Fashion Study Program, design innovation

Abstract

Stamped batik is a batik technique that is done with stamps made from wood, metal or paper. Stamped batik is in great demand because of the efficient way of making it, but does not eliminate the essential values of batik itself. Batik making does not only focus on the technique, various kinds of batik motifs become more varied and develop over time. The author focuses on developing new motifs in the process of making stamped batik by utilizing visual inspiration from sewing equipment. This research was carried out in order to enrich elements of the Fashion Study Program by integrating innovation in stamped batik production. It is hoped that this research can contribute to the development of new motifs in the world of stamped batik by utilizing visual inspiration from sewing equipment, as well as expanding understanding of design innovation

Downloads

Download data is not yet available.

References

[1] Prayitno. T ( 2019 ). Mengenal Produk Nasional Batik dan Tenun. ( 3 – 4 ). Semarang
[2] Wulandari, A ( 2022 ) Batik Nusantara : Makna Filosofis, Cara Pembuatan, dan Industri Batik.
[3] Atika, V. & Haerudin, A. (2013). Pengaruh Komposisi Resin Alami Terhadap Suhu Pelorodan Lilin Untuk Batik Warna Alam. (Dinamika Kerajinan Dan Batik: Majalah Ilmiah, 30(1), 23–30).
[4] Binti Rohmani Taufiqoh, I. N., & Khotimah, H. (2018). Batik sebagai warisan budaya Indonesia. In Prosiding Seminar Nasional Bahasa dan Sastra Indonesia (SENASBASA) (Vol. 2, No. 2).
[5] Prasetyo, S. A. (2016). Karakteristik motif batik Kendal interpretasi dari wilayah dan letak geografis. ( Imajinasi: Jurnal Seni, 10(1), 51-60 ).
[6] Affanti, Tiwi Bina, dkk. (2021). Inovasi Batik Cap: Menggunakan Canting Cap dengan Material Kertas. Bantul, Yogyakarta: K- Media
[7] Widadi, Z ( 2019 ). PEMAKNAAN BATIK SEBAGAI WARISAN BUDAYA TAKBENDA. ( Vol.33 No.2 , 2 – 11 ) Pekalongan
[8] Trixie, A. A. (2020). Filosofi Motif Batik Sebagai Identitas Bangsa Indonesia.( Folio) 1(1), 1-9.
[9] Gustami, SP. (2004). Proses Penciptaan Seni Kriya: Untaian Metodologi. Program Pascasarjana S2 Penciptaan dan Pengkajian Seni ISI Yogyakarta.
[10] Sumaryati. C, (2019). Kamus Tata Busana. Jakarta: Badan Bahasa Kemdikbud
[11] Susanto, Mikke, ( 2011 ), Diksi Rupa, DictiArt Lab, Yogyakarta.
[12] Anzani, S. D., Pulungan, M. H., Wignyanto, W., & Lutfi, S. R. (2016). Pewarna alami daun sirsak (annona muricata l.) Untuk kain mori primissima (kajian: jenis dan konsentrasi fiksasi). (Industria: Jurnal Teknologi dan Manajemen Agroindustri, 5(3), 132-139 )
[13] Riskiani, E., Suprihatin, I. E., & Sibarani, J. (2019). Fotokatalis Bentonit-Fe2O3 Untuk Degradasi Zat Warna Remazol Brilliant Blue. ( Cakra Kimia (Indonesian E-Journal of Applied Chemistry), 7(1) ).
[14] Puryani, P., Nafisah, L., Kanan, M. S. A., & Ridiasa, P. (2018). Perancangan Alat Pelorot Malam/Lilin Menggunakan Metode Pahl and Beitz. (Tekinfo: Jurnal Ilmiah Teknik Industri dan Informasi, 7(1), 12-18).
[15] Syamsuri, H., & Abidin, Z. (2019). Re-desain canting listrik untuk meningkatkan produktivitas pengrajin batik ciamisan.
Published
2025-05-26